A difficult composition again. It’s impossible to get good photographs of the prettiest side of the church. The joy of painting and being able to edit!
Grid up and sketch… then rub most of it out
Under-painting - dashes and splatters with cerulean blue, then raw sienna, alizarin crimson and burnt sienna
More watercolour washes, plus permanent ink. Colours were adjusted to match the summer date of the wedding
The final painting - with the trademark hidden bride and groom initials and love hearts
